Tag Archives: 1998

Super Bowl ad money likely to pay off

http://www.nwherald.com/StyleSection/313174661107154.php

NORTHWEST HERALD

EAU CLAIRE, Wis. – Spending millions to advertise in the Feb. 6 Super Bowl will likely pay off for Hollywood’s movie studios, say marketing experts at the University of Wisconsin-Eau Claire, who have studied Super Bowl advertising for five years.

Advertisements during the high-profile game are selling for an average of $2.4 million per 30-second spot, a record amount for the National Football League’s championship game.

The movie industry is among those most likely to benefit from advertising in the game, said Charles Tomkovick, UW-Eau Claire professor of management and marketing, who with Rama Yelkur, associate professor of management and marketing, completed the first known Super Bowl advertising effectiveness study of its kind.

“All else being equal, spending $2 million-plus for a movie ad in the Super Bowl will pay off handsomely for most studios,” Tomkovick said.

Research results, which were published in the Journal of Advertising Research, found that the average Super Bowl promoted film achieved twice as much first weekend, first week and total U.S. box office revenue than non-Super Bowl promoted movies. Even when researchers applied more rigorous tests, controlling for release dates and budget size, they found similar results.

Hollywood began running a couple of Super Bowl ads in the early 1990s. Then in 1996, Fox spent $1.1 million to promote “Independence Day,” which achieved U.S. revenues of $300 million and $500 million worldwide.

“This was the turning point,” Yelkur said. “Movie advertisers en masse realized the benefits of Super Bowl advertising.” Eight movies were advertised in 2002 and 10 in 2003.

Researchers examined box office gross revenues for movies advertised during the 1998-2001 Super Bowls. They compared it with data from a random sample of movies that weren’t advertised during the game over the same time. They compared first weekend, first week and total U.S. box office revenues. They controlled for movie release dates and refined their analysis to include only high budget films.

Budweiser Wins the ADBOWL(R); ‘Donkey Dream’ is America’s Favorite Commercial

http://biz.yahoo.com/prnews/040202/lam081_1.html

Budweiser’s “Donkey Dream” commercial was voted America’s favorite commercial during the championship football game last night, according to ADBOWL®, the real-time, interactive advertising ranking system for consumers. Developed by McKee Wallwork Henderson advertising, powered by FatCow and in association with Superbowl-ads.com.

America’s top 5 favorites were:

Budweiser “Donkey Dream”

Bud Light “Dog Fetch”

Bud Light “Sleigh Ride”

Frito-Lay “Dentures”

Chevrolet “New Chevy Pick-up (Soap)”

 

“Budweiser’s ‘Donkey Dream’ commercial won first place because it incorporated light humor that put a fun twist on one of America’s advertising icons — the Budweiser Clydesdales,” said Steve McKee, president of McKee Wallwork Henderson. “It was a Horatio Alger and Frank Capra story rolled up into a donkey’s dream.”

Since it’s an election year, ADBOWL was also able to determine which commercials were preferred by Democrats and which ones Republicans liked best.

Democrats: Budweiser “Donkey Dream”

Republicans: Bud Light “Sleigh Ride”

Independents: Budweiser “Donkey Dream”

 

“It’s only natural that Democrats should select a donkey as their favorite commercial” said McKee. “If democrats and Independents agree in the Fall like they did for best commercial in the ADBOWL, it could make for an interesting election year.”

Nearly 40 million women watched the big game yesterday. They also selected Budweiser’s “Donkey Dream” commercial as their favorite. The top three commercials chosen by women were:

1. Budweiser “Donkey Dream”

2. Bud Light “Dog Fetch”

3. Bud Light “Sleigh Ride”

 

So many women watched the game this year that they helped propel their favorite commercial to the top, whereas men preferred the Bud Light “Dog Fetch” spot, according to McKee. A survey of 500 Americans conducted by InsightExpress, a marketing research firm, stated that two out of every five people who watch the Super Bowl tune in for the commercials.

During the championship football game last night, viewers went to www.adbowl.com and rated the commercials on a scale between one and five, with 5 being a “Touchdown,” 4 “Field Goal,” 3 “First Down,” 2 “Punt” and 1 being a “Fumble.” Thousands of votes were cast for America’s favorite ads. Voters also visited www.superbowl-ads.com for more information about the commercials. The ADBOWL website infrastructure was enhanced by FatCow to accommodate increased traffic during the big game.

The ADBOWL is not a scientifically projected sampling of the entire population. It is a self-selected sample of consumers viewing the commercials during the championship football game.

About McKee Wallwork Henderson

McKee Wallwork Henderson, based in New Mexico, is one of the nation’s fastest growing advertising agencies. As a full-service agency, the company specializes in working with companies that have experienced fast growth. Whether it’s raising awareness, launching a new product, seizing market share or securing investment capital, McKee Wallwork Henderson understands and solves the unique marketing challenges growth companies face. McKee Wallwork Henderson can be found online at www.growingfast.com

About FatCow Web Hosting

Founded in 1998, FatCow Web Hosting, the Southwest’s largest hosting provider, is a privately-held New Mexico-based company providing web hosting for small to medium-sized businesses and individuals looking for affordable, service oriented web hosting. With a strong commitment to customer service and a technical infrastructure that rivals that of most large hosting companies, FatCow has grown to host over 27,000 domains for customers in 90 countries. FatCow can be found online at www.fatcow.com.

 

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Source: McKee Wallwork Henderson

The Gillette Company Debuts New ‘Gillette. The Best a Man Can Get’

(Newstream) — The Gillette Company on January 26 announced a return to aspirational advertising with the debut of a new “Gillette. The Best a Man Can Get” campaign during Super Bowl XXXVIII. The 60-second commercial for the MACH3Turbo shaving system is the first Gillette advertising on the Super Bowl in 10 years. The spot will be broadcast during the third quarter of the NFL championship game.

“This campaign builds on our aspirational signature — ‘Gillette. The Best a Man Can Get’ — that we introduced so successfully in 1989,” said Peter K. Hoffman, president, Blades and Razors. “The Super Bowl offers the ideal venue for Gillette to reintroduce this powerful theme and strengthen its emotional connection with millions of men during one of the most highly charged sporting events of the year.”

The campaign, which includes 60-second and 30-second spots created by BBDO NY, engages men through the strong and broadly appealing themes of inspiration, confidence and masculinity. Powerful imagery, copy and music convey these themes, featuring sports and lifestyle vignettes that resonate with men.

The Super Bowl advertising kicks off a Gillette branding campaign that will reach men throughout 2004. Following the debut during the Super Bowl, the new advertising will appear on prime-time, late-night, sports and cable entertainment programming.

Gillette is also teaming up with football legend Steve Young and Sports Illustrated magazine for a national consumer contest, called “The Best Game Face a Man Can Get.” Men who submit a photo of their “Best Game Face” either on-line at www.mach3turbo.com or in-person at one of three “Game Face Stations” on Jan. 30 and Jan. 31 in Houston are eligible to appear in Sports Illustrated and win prizes worth more than $20,000.

“Gillette. The Best a Man Can Get” Evolution

The company introduced “Gillette. The Best a Man Can Get” in 1989 and used it extensively in launching the Gillette Sensor shaving system. This campaign continued to create a strong emotional connection with men throughout the early- and mid-1990s, enhancing Gillette’s longtime position as the leader in male shaving.

With the introduction of Gillette MACH3 in 1998, Gillette shifted to advertising that was more focused on product features, benefits and shaving performance superiority.

The new, updated campaign strengthens the emotional connection that made the original “Gillette. The Best a Man Can Get” advertising so successful. At the same time, the Company will continue its strong, product-focused campaigns for MACH3Turbo and other male shaving products.

(NOTE: For an advertising fact sheet and Gillette sports marketing timeline, please download the full press release from the Assets column on the right.)

About Gillette

Headquartered in Boston, MA, The Gillette Company is the world leader in male grooming, a category that includes blades, razors, and shaving preparations. Gillette also holds the number one position worldwide in selected female grooming products, such as wet shaving products and hair epilation devices. In addition, the company is the world leader in alkaline batteries and manual and power toothbrushes.

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ONDCP Links Drugs, Drinking in New Ads

http://www.adweek.com/aw/magazine/article_display.jsp?vnu_content_id=2076609

By Wendy Melillo

Early-intervention campaign from FCB, Ogilvy kicks off on Super Bowl

WASHINGTON The White House’s latest anti-drug media effort, which launches during the Super Bowl this Sunday, links drug use with drinking in TV ads for the first time in the campaign’s five-year history, sources said.

The new work, from New York shops Foote Cone & Belding and Ogilvy & Mather, also promotes the concept of “early intervention”—another first. That marks a shift in focus from the campaign’s usual prevention-based messages. Early intervention is a drug-treatment strategy favored by drug czar John Walters.

“The campaign enlists the power of peers and parents of teens to take early action against youth drug use and will provide information and support to help get their friends or children to stop using illicit drugs,” the White House Office of National Drug Control Policy said in a statement. The work will be unveiled at a press event in New York this week before airing this weekend.

ONDCP officials declined to discuss the specifics of the advertising before Thursday’s event. But sources said the FCB work targets parents, while the Ogilvy work is directed at teens. The ONDCP plans to run one ad during the Super Bowl and a second during the Survivor: All-Stars premiere following the game.

A 30-second spot called “Rewind” by FCB is due to air during the game, sources said. The story unfolds in reverse chronological order, not unlike the movie Memento. The viewer first sees a girl passed out on a couch. The scene flashes to her vomiting in a urinal. Subsequent scenes show her getting high and drinking from a red cup at a party. She then appears at school with friends, on the school bus and back at home. At that point, which is the “beginning” of the story, the girl’s mother has a chance to intervene. “We’ve got to talk,” she says, holding up a bag of marijuana.

“Rewind” does not explicitly mention alcohol but “subtly” makes the association between drinking and drug use, as one source put it. The ad is intended to show parents of teens who drink and smoke pot that they have an opportunity to halt the problem before their children become hard-core drug users. “It is not an anti-drinking spot,” the source said.

A second FCB spot, not airing during the Super Bowl, opens with a husband and wife slamming doors on each other as though they are angry. The viewer soon learns that they are rehearsing a conversation they plan to have with their children about drugs.

A 30-second spot from Ogilvy, targeted at friends of teens who drink and use drugs, will air during Survivor on Sunday. The concept addresses the responsibility a friend or loved one has toward someone who has a drug or drinking problem. The spot depicts “what would happen in a lake where you might have a responsibility to do something,” a source said, but declined to elaborate.

The campaign urging early intervention is designed to target teens who are drinking and smoking marijuana on a regular basis. Research showed alcohol was a major part of the drug problem, sources said.

“Conceptually, it makes a great deal of sense to send an early-intervention message to the friends and families,” said Chris Policano, a representative at Phoenix House in New York, one of the country’s largest substance-abuse treatment and prevention agencies. “We’ve always believed in the value of highlighting treatment. It is encouraging to know that ONDCP is informing friends and families of the roles they can play in helping young substance abusers get help.”

The prospect of including alcohol in the anti-drug media campaign first surfaced in 1998, when Mothers Against Drunk Driving lobbied heavily for such a move. At the time, then-drug czar Barry McCaffrey argued that not enough money was available to produce effective campaigns targeting both alcohol and drugs. The current media-campaign budget is $150 million.

The issue came up again in September following the release of a National Academy of Sciences study that called for the inclusion of alcohol in the anti-drug campaign. “Parents tend to dramatically underestimate underage drinking generally and their own children’s drinking in particular,” the study said.

The beer and liquor industries have long opposed any inclusion of alcohol messages in the campaign, on the basis that responsible drinking—unlike drug use—is legal for adults. At the time of the NAS report, Jeff Becker, president of the Beer Institute, said he was not convinced there is a need for such ads. “I would be very concerned about what a campaign to parents would look like,” he said. “I’ve seen no evidence that doing a national media campaign does any better than the community-based efforts we and a lot of other groups do.”

“The distillers are committed to fighting underage drinking,” said Lisa Hawkins, a rep for the Distilled Spirits Council of the U.S. “We support the concept of educating parents and other adults, but we believe messages regarding alcohol and drugs should be separated. Underage drinking is illegal, but moderate alcohol consumption can be part of a normal, healthy adult lifestyle.”

“My hope is this campaign opens the floodgates to more government-sponsored messages to parents about the risks associated with underage drinking. A toast to ONDCP,” said George Hacker, director of health-advocacy group Alcohol Policies Project at the Center for Science in the Public Interest.

FCB and Ogilvy’s work was done through The Partnership for a Drug-Free America, which coordinates pro-bono creative contributions to the campaign from a roster of about 40 agencies. ONDCP’s lead agency, Ogilvy, primarily manages the media buys but also does some creative work. – with Kathleen Sampey

Added entertainment

http://www.dailypress.com/sports/columnists/dp-47722cm0jan25,0,3676941.column?coll=dp-sports-columnists

I don’t know about you, but I’ve seen and heard enough about Super Bowl XXXVIII next Sunday. I’ve studied the charts, seen some of the action clips on television and the internet, and I have my winner.

It’s the Frito-Lay commercial featuring two barely ambulatory grandparents who get out of their chairs and race each other across the room for a bag of potato chips. Grandma gets the early lead but Grandpa trips her with his cane. When she tries to get up, Grandpa pushes her back down with his cane and ambles past. He wins, but looks back to see that Grandma has taken his dentures.

Sounds like a winner in my book in what has become a game within the game. In many living rooms, the contest between Carolina and New England will take second billing. InsightExpress, a research firm, found that 54 percent of the country will tune in to the game, and half of them say they will watch specifically because of the commercials. There are even sports books that will allow you to bet on the winning Super Bowl ad as determined by the USA Today poll.

Super Bowl commercials have become a big deal, as well they should considering it costs $2.3 million for a 30-second spot. And considering the game will attract a TV audience (about 90 million in the U.S. alone) that more than triples that of the top-rated network show (CSI, about 26 million), it’s expected that companies will put their best feet forward. 

Of course, it doesn’t always work that way. Many overdo it from a silliness standpoint and fail to get their message across. And others are just downright ordinary, not even worthy of weekly network airing.

It seems the majority of the commercials are pure slapstick, designed to make you laugh more than give you compelling reasons to buy a product. Others, like car commercials in recent years, promote their products but fail to connect with viewers because they aren’t funny.

A couple days ago, I began to write a list of my favorite commercials over the years, and I was torn between those that made me laugh and those that did the best job of selling their product. I tried to reach a happy medium, but I’m not sure I did. Here are my favorites, in order:

Bud Bowl I. It wasn’t the funniest, but the series of games that began in 1989 between Bud and Bud Light certainly was unique and drew a lot of attention. In subsequent years, bookies even took bets on who would win the game between the animated, helmet-wearing bottles. Several games were won with trick plays.

The E-Trade dancing monkey. Two old men sit in a garage, clapping out of beat while a monkey dances on a garbage can. After 25 seconds of this nonsense, the announcer says: “We just wasted two million dollars. What are you doing with your money?” Did you get their message? Yes, loud and clear.

Herding cats. I could have watched that one over and over because of the sensational graphics of Marlboro Man-type cowboys herding a bunch of furballs across the plains. Like so many viewers, though, I had to go back and look up the name of the sponsor. It was Electronic Data Systems.

Dirty Birds. The Nissan Maxima commercial in 1997 just hit a funny bone. Three pigeons hovered over a car wash, waiting for a cleaned car to come out so they could get it dirty again. A Maxima races out, and the birds chase it in Top Gun fashion. Just as they catch up, the car pulls into a garage, the door comes down, and the birds crash into it.

Talking Frogs. Eight years later, how many of you remember, or still say, “Bud…Weis…Errr”?

Instant Replay. Last year’s commercial featured a football game between the Budweiser Clydesdales, and the game was stopped while the referee, a zebra, consulted the instant replay screen. When the real game resumed, Tampa Bay challenged a call on the kickoff and instant replay reversed the decision.

FedEx’s apology. Very simple, very inexpensive and very effective. In 1998, this commercial ran with nothing more than a color bar and scrolling message that said the intended commercial, featuring singer Garth Brooks and dancing kangaroos, could not been seen because the ad agency had not used FedEx to deliver it.

There are others, such as the prophetic Apple ad 20 years ago that introduced the Macintosh computer, an excited Cedric the Entertainer shaking up a Bud bottle and accidentally spraying his date in 2001, and the McDonald’s game of “horse” played in 1993 between Michael Jordon and Larry Legend.

Will another 30-second spot next Sunday join the list of legendary commercials? Yes, if the rest of the race between Grandma and Grandpa is as funny as the opening seconds that have been previewed. My darkhorse this Sunday, no pun intended, is the Bud spot about a donkey that wants to become a Clydesdale.

Warner Hessler can be reached at 247-4648 or by e-mail at whessler@dailypress.com

Aerosmith To Headline Super Bowl Pregame Show

http://www.manhunt.com/news/stories/1074204842.html

Aerosmith To Headline Super Bowl Pregame Show

Words: Carleen Donovon 

America’s premier rock ‘n roll band, Aerosmith, will headline the Super Bowl XXXVIII pre-game show at Reliant Stadium in Houston on Sunday, Feb. 1, the NFL announced today.

Super Bowl XXXVIII will be televised by CBS to an expected 130 million viewers in the United States and a potential worldwide audience of 1 billion viewers. The Super Bowl is annually the nation’s highest-rated TV program and the most-watched single-day sporting event. Game time is 6 p.m. EST/5 p.m. CST/3 p.m. PST.

Said Steven Tyler, The Super Bowl is Rock and Roll! It’s sexy, it’s slammin’, it’s precision, it’s passion and pure energy. That’s Sweet Emotion to me.

Houston will be home to the Super Bowl for the second time in history, the first coming 30 years ago. The festivities kickoff with a show entitled Welcome to Houston The Spirit of Texas spotlighting the spirit, hospitality and unity of the great city of Houston and the state of Texas.

Bob Best of Best Productions in Tampa, Fla. will executive produce his 20th pre-game show for the NFL. Michael T. Fiur will be the producer of the show.

Aerosmith, who opened the NFL season with a performance in Washington, D.C. at NFL Kickoff Live, will perform in the finale of the pre-game show featuring a tribute to NASA. Additional performers featuring diverse musical talents will be announced soon.

“We’re proud to be part of this historical event,” said Aerosmith’s Joe Perry. “Rock n’ roll and football, two uniquely American forms of entertainment, teamed up make for one hell of a blockbuster event.

In their nearly four-decade career, Aerosmith has achieved tremendous critical acclaim and commercial success with over 20 album releases and more than 100 million albums sold worldwide. The band, Steven Tyler (vocals), Joe Perry (guitar), Brad Whitford (guitar), Tom Hamilton (bass) and Joey Kramer (drums), has spearheaded some of the most important trends in pop music — from groundbreaking early 70′s heavy metal to the invention of the power-ballad to the first fusion of rock and hip hop and continues to obliterate the generation gap, making them the most enduring, and continuously exciting, force in American rock music. Aerosmith has earned an array of accolades, including Grammy Awards, MTV Video Music Awards, American Music Awards, as well as an induction into the Rock and Roll Hall of Fame in 2001 and an Academy Award nomination in 1998.

Aerosmith recently concluded a U.S. concert tour with Kiss, which was one of 2003′s top grossing tours, and plans to release a new album entitled Honkin’ On Bobo (Columbia Records) this spring. The band will commence a US tour in the support of the album in March 2004.

Aerosmith headlined the Super Bowl XXXV Halftime show with *NSYNC in Tampa, FL in 2001.

Super Bowl Ad Rates by year

Super Bowl Ad Rates
Super Bowl
XXXVIII
XXXVII
XXXVI
XXXV
XXXIV
XXXIII
XXXII
XXXI
XXX
XXIX
XXVIII
XXVII
XXVI
XXV
XXIV
XXIII
XXII
XXI
XX
XIX
XVIII
XVII
XVI
XV
XIV
XIII
XII
XI
X
IX
VIII
VII
VI
V
IV
III
II
I
Year
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
1984
1983
1982
1981
1980
1979
1978
1977
1976
1975
1974
1973
1972
1971
1970
1969
1968
1967
Ad Rate (for 30 seconds)
$2,400,000
$2,100,000
$2,000,000
$2,300,000
$2,100,000
$1,600,000
$1,300,000
$1,200,000
$1,085,000
$1,150,000
$900,000
$850,000
$850,000
$800,000
$700,000
$675,000
$645,000
$600,000
$550,000
$525,000
$368,000
$400,000
$324,000
$275,000
$222,000
$185,000
$162,000
$125,000
$110,000
$107,000
$103,000
$88,000
$86,000
$72,000
$78,000
$55,000
$54,000
$42,000

Anheuser-Busch again spending big on the Super Bowl

http://www.bradenton.com/mld/bradenton/business/7770785.htm

Associated Press ST. LOUIS -Cedric the Entertainer is back. So is the bumbling referee as Anheuser-Busch Cos. is again the big spender among Super Bowl advertisers.

The St. Louis-based maker of the world’s biggest selling beer and light beer, Budweiser and Bud Light, has purchased five minutes of air time for CBS’s telecast of Super Bowl 38 on Feb. 1. That’s more than any other company.

Pepsi-Cola. Co. purchased three minutes of commercials. General Motors Corp., America Online and the NFL each purchased a minute and a half.

Advertising Age, a trade publication, reported the average price of a 30-second Super Bowl spot costs a record $2.3 million. That means Anheuser-Busch spent an estimated $23 million for its ads for an event that draws nearly as much attention for its advertisements as for the game itself.

Anheuser-Busch will unveil nine commercials: four 30-second spots and a 60-second commercial during the first half of the game, and four 30-second spots during the second half.

The commercials focus on Budweiser and Bud Light. One 60-second spot depicts a donkey who wants to be a Clydesdale horse. The spot is a variation of A-B’s previous Super Bowl commercials in which the Clydesdales play football.

A fourth-quarter ad promotes responsible drinking. In it, country singer Tim McGraw and Los Angeles Lakers forward Rick Fox show up at a club, where they receive plenty of attention from adoring fans. But the celebrities are upstaged by a frumpy man – the designated driver – who has his own posse of attractive women.

Bud Light ads typically are humorous, but one emphasizes quality.

“With Bud Light, you have the humor,” said Bob Lachky, A-B’s vice president of brand management. “But it’s just nice to remind consumers what the product stands for.”

Among the Anheuser-Busch campaigns that didn’t make the Super Bowl cut: Leon, the egotistical football player whose commercials have run throughout the NFL season; and Real Men of Genius, the television version of the popular radio campaign.

In both those cases, the audience already knows the general ending, Lachky said. Super Bowl spots are supposed to wow and surprise audiences, he said.

Anheuser-Busch has created many memorable Super Bowl commercials. Among them: 1995′s Budweiser Frogs (“Bud … Weis … Er.”); Louie the fame-starved Lizard in 1998; and the “Whassup?” guys in 2000.

New crop of odd Super Bowl ads to debut

http://www.beaufortgazette.com/24hour/sports/story/1127285p-7844151c.html

http://news.yahoo.com/news?tmpl=story&u=/ap/20040122/ap_on_sp_fo_ne/fbn_super_bowl_ads_4

By SETH SUTEL, AP Business Writer

NEW YORK (AP) – A new crop of contenders will be taking their shot at immortality at next week’s Super Bowl, but they won’t be doing it on the football field.

They’re an odd bunch: The hobbled grandparents who fight over a bag of potato chips, a boisterous family that builds super-fast motorcycles and the heavyset gangster who demands a cream puff.

Twenty years ago, Apple Computer Corp. rocked the advertising world with an iconic ad to introduce a product called the Macintosh. Since then, the Super Bowl has become the undisputed testing ground for the most ambitious and aggressive ideas in the advertising industry. Super Bowl XXXVIII on Feb. 1 will be no different.

And why not? Despite a slumping TV season and questions in some corners over the benefits of network advertising, there’s no arguing with the staying power of the Super Bowl as one of the most effective ways of reaching tens of millions of attentive viewers all in one shot.

In fact, viewership of the Super Bowl has been on the rise over the past few years, reaching 88.6 million last year, according to Nielsen Media Research, up from 84.3 million in 2001, the last time CBS had the game. The broadcast rotates among ABC, NBC and CBS under a $500 million, eight-year deal with the NFL announced in 1998.

“There is nothing else like the Super Bowl. It’s watercooler, it’s an event,” said Donna Wolfe, chief negotiation officer for national broadcast advertising at the Universal McCann ad agency.

“When you talk about regular prime time programming, there are more choices every year,” Wolfe said. “It’s not that people are watching less television, they have more choices.”

On the other hand, the fact that nearly 90 million people are glued to their sets and not only watching the commercials but then critiquing them can have a terrifying effect on marketing executives, who want to make sure their ads are “Super Bowl-worthy.”

Viewer polls ranking the ads, such as a popular one done by USA Today, can cause major heartburn for companies betting $2.3 million – the average cost of a 30-second ad this year – that their message will be a hit.

“Nobody wants to wake up in the morning and see themselves at the bottom of the survey,” says Jason Maltby, who buys TV ad time on behalf of advertisers for Mindshare, a firm owned by WPP.

For veteran advertisers such as brewing giant Anheuser-Busch Cos., producing top-rate commercials for the big game is business as usual, Maltby says. But for first-timers, “there’s a lot of pressure on them to make sure their commercial stands up,” Maltby says.

That hasn’t deterred Staples Inc., which is buying its first Super Bowl ad this year. Its spot depicts a greedy worker named Randy who parcels out office supplies in exchange for bribes of doughnuts and pastries.

A colleague eventually calls his bluff, confronting Randy with a bag of office supplies from Staples and backup from the hulking gangster character Joe Viterelli from “Analyze This.” Viterelli’s demand to Randy is as menacing as it is unequivocal: “Cream puff.”

Staples’ marketing chief Shira Goodman says buying a spot made sense since the company is in the middle of a major campaign to refocus its image on convenience. Accordingly, Staples is changing its slogan from “Yeah, We’ve Got That” to “That Was Easy.”

“The time was right for us,” Goodman said. “We had a very important message.”

Expedia, the online travel site, has also bought its first Super Bowl ad, but like many advertisers the company is keeping its contents secret. Spokesman David Dennis would only say that the spot is similar to its current campaign showing how Expedia can help travelers find the right trip.

America Online, the online service owned by Time Warner Inc., is in a wide-ranging $10 million Super Bowl promotion deal includes three spots, sponsorship of the halftime show, an online poll of the ads and promotions during the NFL postseason.

“We’re a diverse country, and most of the time we’re doing different things,” says Len Short, head of advertising for AOL. “But once in a while we all do the same thing, and the Super Bowl is one of those events. We want to be there.”

For CBS, part of the Viacom Inc. media conglomerate, the Super Bowl could prove to be a bonanza. With about a week left to go, nearly 90 percent of the 60 ad spots have been sold, which marketers say is about right for an average year. “We’re in good shape,” says Jo Ann Ross, the head of advertising sales for CBS.

The high demand for Super Bowl spots comes against a background of continued erosion in network TV ratings as advertisers have more choices for reaching viewers.

Thus far this season, the most popular show is “CSI: Crime Scene Investigation,” on CBS, which averages 26.6 million viewers every week. Only two other programs are averaging more than 20 million viewers per week, “Friends” and “Survivor.”

So far this season, only CBS and Fox are averaging more viewers than they did last year, and Fox’s increase is due almost entirely to the popular baseball postseason.

Copyright 2004 The Beaufort Gazette • May not be republished in any form without the express written permission of the publisher.

CBS Eyes High Super Bowl Ratings

http://www.dailypress.com/entertainment/news/ats-ap_entertainment11jan21,0,6352814.story?coll=sns-ap-topentertainment

By CONNOR ENNIS

AP Sports Writer

NFL stars Peyton Manning and Donovan McNabb will be watching the Super Bowl. CBS hopes all of their fans do the same.

With the premier television event of the year 10 days away, the network is banking on the Super Bowl’s status as a quasi-national holiday to overcome any shortcomings there might be in the matchup between the New England Patriots and the Carolina Panthers.

At first glance, this Super Bowl doesn’t seem ideal for television.

Neither team boasts an instantly recognizable star or a high-powered offense. Both Carolina quarterback Jake Delhomme and New England’s Tom Brady are more effective than flashy, and the teams tend to win defensive struggles instead of high-scoring shootouts. Plus, Carolina and New England are — in terms of the NFL — close geographically.

It probably doesn’t matter when it comes to the ratings for CBS.

“To a large extent the rating is quite bulletproof with the one caveat that you don’t want a game that gets out of hand,” Sean McManus, the president of CBS Sports, said Wednesday.

“Most people who get excited about the Super Bowl, who are the casual fan … I think to those people it doesn’t matter who the teams are.”

Every Super Bowl since 1991 has had a rating of at least 40.2, with 1996′s game between the Dallas Cowboys and the Pittsburgh Steelers earning a 46.1. Last year 137.65 million viewers, the second-most in history for the NFL’s championship game, watched Tampa Bay’s 48-21 blowout win over Oakland on Fox.

“You’re talking about almost half the country that makes it appointment TV,” said Neal Pilson, the former president of CBS Sports and now a consultant. “No matter the matchup, usually you start off with a 40 rating.”

But how far up — or down — that number goes is often determined by what happens on the field.

St. Louis’ 23-16 win over Tennessee in 2000, which came down to the final play, had a 43.2 rating. In 1998, when Denver beat Green Bay 31-24, had a 44.5.

The only Super Bowl since 1971 to have a rating below 40 was in 1990, which had a 39.0 rating for San Francisco’s 55-10 dismantling of Denver.

The rating is the percentage of all homes with TVs, whether or not they are in use. Each rating point represents a little more than 1 million TV homes.

And, with the two weeks of coverage and hype that precede this year’s game, the public is sure to become familiar with previously anonymous players.

Brady is already relatively well known, even sitting next to first lady Laura Bush during President Bush’s State of the Union address Tuesday night. But he isn’t viewed in the same way as star quarterbacks like Manning, McNabb or Green Bay’s Brett Favre.

Delhomme, on the other hand, is almost completely unknown. An out-of-nowhere starter whose Louisiana drawl is as unassuming as his play, he had thrown just 86 passes in six seasons with New Orleans before signing with the Panthers in the offseason.

But whether Brady, Delhomme or any other player becomes a household name by the time the game kicks off, CBS don’t seem too concerned.

“Those used to be more important factors when the Super Bowl wasn’t the huge national holiday that it’s become,” McManus said.

Whether viewers tune in because they love the Panthers or Patriots, the commercials or the halftime show or merely because they just love a good ol’ party, and the Super Bowl seems as good an excuse as any to throw one, there’s guaranteed to be a huge rating number come Monday.

“The rest of the world celebrates the World Cup,” Pilson said, “we celebrate the Super Bowl.”

Advertisers pull out all stops for Super Bowl

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2004/01/18/BUGT64BR7K1.DTL&type=business

Millions worldwide find ads more entertaining than game

George Raine, Chronicle Staff Writer

It’s possible that the best Super Bowl commercial you’ll ever see is one of the 60-plus queued up at CBS for the Feb. 1 game — or not.

No other advertising is as costly because the audience is so vast. The bar of excellence is very high, as are expectations.

All the blue-chip regulars are back for the advertising bonanza: Anheuser- Busch once again leads the parade with 10 30-second ads, the 16th consecutive year it has been the exclusive beer advertiser. Plus there’s Visa, General Motors, PepsiCo and more. There will be premieres this year by, among others, Procter & Gamble Co. and Staples Inc.

Bernice Kanner, a longtime New York magazine writer who covered marketing and advertising in her On Madison Avenue column, reached back to 1998 for her favorite Super Bowl ad: “Apology,” the FedEx spot created by the BBDO agency.

It was nothing more than a color bar (a reference for camera operators matching color and video brightness and darkness) with a scrolling message from a fictitious company that the commercial it had intended to air, with dancing kangaroos and Garth Brooks, could not be seen because “some boob” from its (now ex-) ad agency had not used FedEx to send it to NBC.

“What I liked was they were not spending zillions, but they got it across that you absolutely, positively had to use FedEx. It was the antithesis of what we so often see — so simple, such a good idea. That is my hope for the next Super Bowl,” Kanner said.

Marketers are spending an average of $2.3 million for a 30-second spot, a 9 percent increase from the 2003 game. Estimates vary on the number of viewers for the game — it’s hands down the most-watched program of the year — but it’s possible that 750 million worldwide, by Kanner’s research, tuned in to ABC to see the Oakland Raiders’ humiliating loss to Tampa Bay last year.

While the event was devoid of anything redeeming for Raiders fans, ad watchers were rewarded. The PepsiCo Gatorade spot with 39-year-old Michael Jordan in a one-on-one with Jordan as a 23-year-old Chicago Bull, soon joined by Jordan as a North Carolina Tar Heel (digital technology by Element 79 Partner in Chicago) was awfully good.

Advertisers have long known that the day makes for a marketing opportunity like no other.

“It’s clearly an investment,” said Howard Clabo, a spokesman for Fed Ex, which will be advertising in a Super Bowl for the ninth time.

FedEx has a unique relationship with the National Football League, serving as a transportation partner handling shipping for the league and its teams — game films, equipment, etc. “It helps us put a cap on our overall NFL sponsorship,” Clabo said.

CBS has sold about 85 percent of its advertising time, industry sources said last week, and the remaining handful of slots, in the fourth quarter, will go quickly.

We’ve come a long way from January 1967, when the tradition began. Kanner notes in her new, lively book for Bloomberg Press — “The Super Bowl of Advertising: How the Commercials Won the Game,” an overview of 36 years of the game’s ads — that there were 29,000 empty seats at Memorial Coliseum in Los Angeles when the Green Bay Packers defeated the Kansas City Chiefs in the first contest.

Tuning in for the ads

Many viewers now watch the game on television solely for the commercials — Kanner among them. She pondered the question, are we as a people better off with Super Bowl commercials?

“If you consider advertising malevolent or benevolent … umm. I think we are better off if the goal is to have better advertising.”

Procter & Gamble’s premiere is interesting in part because, although its worldwide advertising is ubiquitous — $4.3 billion in 2003 — it tends to be cautious in tone. P&G favors benefit ads, those that benefit the product. But the Super Bowl broadcast is not a place for reserved advertising. Viewers want laughs.

“We had to move beyond the normal,” P&G spokeswoman Robyn Schroeder said.

Accordingly, P&G held an advertising competition for seven of its brands to determine which one would appear on Super Bowl XXXVIII, as well as make a marketing splash in Houston, where the game is to be played.

There were three criteria for the brands to be considered in the contest: The ads and the marketing strategy had to be a good fit for the venue; there needed to be a strong match for the target audience; and there had to be opportunity for business growth for the brand.

The winner was Charmin and ad agency Publicis, whose tag line has the appropriate edge the venue requires: “Softer and stronger for your end zone.”

P&G’s marketing plans for the day include making its presence known around Houston’s Reliant Stadium in the form of a 53-foot-long traveling rest room, the Charmin Pottypalooza. The company says it provides “a comfortably clean bathroom experience to outdoor events across the country.”

Staples Inc., the office products supplier, makes its Super Bowl premiere with a 30-second ad by Martin/Williams Advertising of Minneapolis centered on the new brand promise that “Staples makes buying office products simple.”

In the ad, featuring actor Joe Viterelli (Jelly in “Analyze That”), a Staples associate comes to the rescue of a stressed control freak.

“Easy is easy to say but hard to do,” said Shira Goodman, executive vice president of Staples in Framingham, Mass., “but we are now focused on delivering an easy shopping experience across all channels. In terms of getting the message out, the time of the Super Bowl is great for us — tax time, organizing time — and we also send a message to our associates that easy is what we are all about, and easy is our commitment.”

She added, “It’s not an insignificant chunk of change,” buying time, “but we believe it’s cost effective.”

Nuts to the Bay Area

Diamond of California, the Stockton nut company and one of the state’s largest grower cooperatives, bought time for two 15-second ads to be broadcast strictly in the San Francisco, Fresno, Sacramento and Chico markets during the game to introduce its new snack nut division, Emerald of California.

The purveyor of whole cashews, dry roasted peanuts and almonds and more is rolling out the products beginning today in Northern California.

The two ads, by Goodby, Silverstein & Partners of San Francisco, tell the stories of happy snackers.

Emerald of California’s regional purchase is a fraction of what the network is charging, but having a presence even on the sidelines of the broadcast is a marketing plus, the company said.

The market competition is mighty, with chips, pretzels and candy traditionally dominating the $27 billion snack category, but Emerald will compete in the healthy subcategory, where trail mix, snack nuts and health bars have carved out 14 percent of the pie, Diamond spokeswoman Vicki Zeigler said. 

“The Super Bowl is certainly one of the top snacking events of the year, if not the snacking event of the year, so it seems a natural fit,” said Zeigler. “You’ve got a huge audience sitting around the TV and thinking about snacking, and these nuts are good for them.”

AOL is making a considerable investment in the game, sponsoring the NFL Halftime Show and buying three spots during the game and two before it. They feature the motorcycle-riding Teutul family — Paul S., Paul Jr., and Mikey — who appear on the Discovery Channel’s top-rated show “American Chopper.” All of this is a metaphor to show what AOL presents as the benefits of TopSpeed, the built-in Web accelerator in AOL 9.0.

The day will have at least one serious note. Viacom, which owns CBS, and the Henry J. Kaiser Family Foundation, the health information and research group, will sponsor a “Know HIV/AIDS” public service announcement for the second consecutive Super Bowl. 

Today, as many as 40 million people worldwide are living with HIV/AIDS and more than 20 million have died, note the sponsors. Yet, there are projections by UNAIDS that nearly two-thirds of all new HIV infections worldwide could be eliminated by 2010 with more effective education and prevention — which is the point of the public service announcement.

Commercials as entertainment

Virtually every other ad will be a knee-slapper, or so the makers hope, and that is often the reward of Super Bowl advertising.

“It’s an incredible phenomenon,” said Kanner, “because commercials every other day are the enemy. In this citadel of commercialism, America is putting on its best.”

The networks and the NFL often become “holier than thou and guardians of our values” for the occasion, rejecting some material they consider inappropriate, Kanner said. This year, MoveOn.org, a left-leaning Internet- based group that wanted to air an anti-President Bush commercial during the game, and People for the Ethical Treatment of Animals were rejected by CBS because it does not accept advocacy ads.

For the 1998 Super Bowl, Vivus Inc., a Mountain View developer of therapeutic systems for erectile dysfunction, hired San Francisco’s Hoffman/Lewis agency to produce a spot for its product, Muse. The delivery system is a bit complicated (the drug alprostadil is in an applicator that’s inserted 1 inch into the urethra), but the ad was not.

It was the first-ever television ad for an impotence treatment product. Actor Ed Asner simply said: “Attention impotent men, all 20 million of you. Impotence is usually a physical problem, not a mental one. And for many men it can be treated with Muse. …Call 1-888-367-MUSE and see your doctor. And buy some flowers.”

NBC’s standards department rejected it, and the people at Vivus had a good laugh about it, said Lewis Villalba, associate director of corporate development. “It was OK. We got as much PR having them declining it as we would have if it ran,” said Villalba.

Said ad man Bob Hoffman, who created the spot, “Look at today’s Levitra ad (a competitor in the erectile dysfunction category). A guy is throwing a football through a tire. What a juvenile analogy.”

The leader in the field, of course, is Viagra, a major sports player, as a “proud sponsor of Major League Baseball.”

A-B turns Super Bowl advertising into Bud Bowl

http://www.stltoday.com/stltoday/business/stories.nsf/Business/6EEDDFA86800E46686256E23001658F4?OpenDocument&Headline=A-B+turns+Super+Bowl+advertising+into+Bud+Bowl

By Thomas Lee

Post-Dispatch

Anheuser-Busch Cos. once again will rule the Super Bowl.

The St. Louis-based brewer has purchased a total of five minutes of air time for CBS’ Feb. 1 telecast of Super Bowl XXXVIII, far more than any other company.

Pepsi-Cola Co. bought three minutes of commercials, while General Motors Corp., America Online and the National Football League each purchased a minute and a half.

The average price of a 30-second commercial is a record-breaking $2.3 million, according to Advertising Age, a leading trade publication. That means A-B spent approximately $23 million for its Super Bowl dominance.

All together, the company will unveil nine commercials: four 30-second spots and a 60-second commercial during the first half of the game, and four 30-second spots during the second half.

The commercials, which focus on Budweiser and Bud Light, will feature a familiar cast of characters, including St. Louis native Cedric the Entertainer and a bumbling football referee.

One spot that has generated buzz is a 60-second commercial that depicts a donkey who wants to be a Clydesdale horse. The spot is a variation of A-B’s previous Super Bowl commercials in which the Clydesdales play football.

As usual, A-B will have a fourth-quarter ad that promotes responsible drinking. In the commercial, country star Tim McGraw and Los Angeles Lakers forward Rick Fox show up at a club, where they receive plenty of attention from adoring fans. But the celebrities are soon upstaged by a frumpy man – the designated driver – who has his own posse of attractive women.

A-B also will introduce a commercial for Bud Light that emphasizes quality. Normally, the company devotes its quality messages for Budweiser, its flagship brand. Over the years, Bud Light has been A-B’s primary platform for its signature humor ads.

“With Bud Light, you have the humor,” said Bob Lachky, A-B’s vice president of brand management. “But it’s just nice to remind consumers what the product stands for.”

A-B’s Super Bowl lineup is also notable for what it doesn’t include. Leon, the egotistical football player whose commercials have run throughout the NFL season, did not make the cut. Ditto for Real Men of Genius, the television version of the popular radio campaign. The brewery started running the television ads last fall.

In both those cases, the audience already knows the general ending, Lachky said. Super Bowl spots are supposed to wow and surprise audiences, he said.

The company also will not plug Michelob Ultra, its enormously successful low carbohydrate beer. Ultra already has a “monster” marketing budget, Lachky said.

Plus, “There’s nothing new you can say about it,” he said.

Over the years, Anheuser-Busch Cos. has created memorable Super Bowl commercials. Among them:

1989 – Bud Bowl. Budweiser and Bud Light bottles square off in a football game. Bud Bowl ads air for six Super Bowls.

1995 – Budweiser Frogs. Three bullfrogs, in turn, croak “Bud…Weis…Er.”

1998 – Louie the Lizard. Famed-starved lizard assassinates the Budweiser Frogs.

2000 – Whasssup? Men greet each other enthusiastically.

2003 – Clydesdale Football. In this sequel to a 1996 Super Bowl ad, the Clydesdales use instant replay to settle a dispute.

Pepsi Launches Food-Themed Ad Campaign

http://www.adage.com/news.cms?newsId=39230

‘Joy of Pepsi’ Gives Way to ‘Pepsi. It’s the Cola’

By Hillary Chura

NEW YORK (AdAge.com) — PepsiCo’s Pepsi-Cola Co. on Sunday breaks a new campaign introducing the latest slogan for its flagship soft-drink brand.

Earlier this month, Pepsi said it was dropping its “Joy of Pepsi” tagline for “Pepsi. It’s the Cola.” The new advertising, which will carry the new theme, wants to get consumers to associate Pepsi-Cola with food and mealtimes, which is why the marketer is rolling out the campaign to coincide with the holidays, starting with Thanksgiving.

“Social occasions and food occasions work together. Pepsi enhances that. We think these spots really [explain] that,” said Ted Sann, chairman and chief creative officer at Pepsi’s longtime advertising agency, Omnicom Group’s BBDO Worldwide, New York.

Three TV, 2 radio ads Initially, there will be three TV commercials and two ads for radio. TV ads will run Sunday on National Football League telecasts as well as on prime-time programming. They also will run on the Macy’s Thanksgiving Day Parade broadcast and ABC’s three-week miniseries Trista and Ryan’s Wedding.

There will be numerous outdoor executions, accompanied by an increase in outdoor spending, a departure for the soft-drink giant.

“We’ve not done [big] outdoor, but this brings the strategy to life in a powerful way,” said Katie Lacey, vice president for colas and media at Pepsi Cola North America. She would not comment on the size of the increase but said no funds would be diverted from other media.

Rare end-of-year effort Typically, Pepsi is not a big fourth-quarter spender. The brand’s most recent end-of-the-year work came in 1998. Usually the country’s No. 2 soft drink brand bows campaigns after the first of the year.

Pepsi-Cola received $138 million in measured media last year, with just $28 million coming in the fourth quarter, according to TNS Media Intelligence/CMR.

In the spot “Summer Job,” a young woman in a hot dog costume becomes dejected handing out fliers for a restaurant but brightens up when she sees a young man dressed up as a Pepsi can. In “Vacuum,” comedian Dave Chappelle tempts an automatic vacuum with a Pepsi. A third ad portrays tailgating gladiators, throwing 2-liter bottles of Pepsi and hot dogs through the air.

Two radio spots link Pepsi to lunch, while outdoor and print executions show Pepsi and different foods in friendly proximity.

Celebrity status Dave Burwick, senior vice president and chief marketing officer at Pepsi-Cola North America, said Mr. Chappell is the only celebrity to appear in the ads — unlike Pepsi’s usual star-studded campaigns — though others could follow.

“We are not necessarily walking away from celebrities,” he said. “We’re walking toward” a strategy that links Pepsi with food. He said the company could employ the singer Beyonce Knowles, whom it signed last year, for future ads. The drink could be backed by upward of 12 “Pepsi. It’s the cola” spots.

Mr. Burwick said it’s too early to tell if Pepsi’s link to food would carry over to sibling Frito-Lay, as PepsiCo has done in the past with “Power of One” initiatives.

Separately, he said Pepsi-Cola and Sierra Mist likely would be the company’s beverage brands to appear in Super Bowl advertising.

ABC’s Really Super Super Bowl

http://www.eonline.com/News/Items/0,1,11188,00.html

by Lia Haberman

In the end it was all about the football.

How else to account for the record number of viewers who tuned in to Super Bowl XXXVII Sunday night? It certainly wasn’t for the hip musical guests or clever commercial spots, both of which were in short supply.

Nope, the evening’s big winners were the Tampa Bay Bucaneers, who trounced the Oakland Raiders 48-21, and ABC, which scored a ratings touchdown. An estimated 137.7 million pigskin fans plugged in to the Alphabet net for at least some portion of the game, according to preliminary Nielsen Media Research.

That means close to half the TV sets in country were tuned to the football game at any given moment, making Sunday’s match-up the second most watched Super Bowl ever, just behind the 1996 contest between Dallas and Pittsburgh. (That game, carried on NBC, drew some 139 million viewers.)

Despite the lopsided game (in which the Raiders were favored to win), the broadcast averaged 88.6 million viewers through the four-hour telecast, the best audience since Denver’s 1998 triumph over Green Bay.

Interest stayed high even during halftime, when viewers were treated to lukewarm performances by Barberella-esque Shania Twain and an insipid duet between No Doubt and Sting. (Not only did we pine for last year’s bill, which featured U2′s tribute to the victims of September 11, but we actually found ourselves fondly recalling the 2001 festivities when Britney Spears took the stage with Aerosmith.)

Even the evening’s commercials seemed to pale in comparison to years’ past when Internet startups blew their annual budgets on larger-than-life ads. However, the Osbournes’ twisted Pepsi spot didn’t disappoint, there were some interesting movie trailers (The Hulk, anyone?), a couple goofy beer ads (loved the zebra officiating the horse football game) and Trident finally demystified its four-out-of-five-dentists claim.

In fact, the biggest dip in viewers came during Tampa’s 34-3 lead between 9 and 9:30 p.m. ET, but, like the Raiders, viewers rallied for a better finish.

The evening’s real loser? No, not the Raiders, but Bon Jovi, whose postgame performance was cut short by a commercial. Instead of a global audience, the Jersey boys had to settle for the remainders of Qualcomm Stadium’s 67,603 fans.

Finally, even with the semi-naked promo spots that ran during the game, only 17.4 million viewers stuck around for ABC’s heavily hyped spy series Alias, which didn’t start airing until 11 p.m. ET–about two hours later than usual. Jennifer Garner’s sexy spin in red garters wasn’t in vain, though. The double agent’s adventures have only attracted an average of 9 million viewers this season, so last night’s numbers were an all-time best for the series, plus the show doubled its share of horny 18-49 year olds.

Animals are the stars of the Super ad Bowl List

http://www.usatoday.com/money/advertising/2003-01-24-sb03-animal-ad_x.htm

Smile! You’re the stars of the Super ad Bowl

By Bruce Horovitz, USA TODAY

Some of the biggest stars of this year’s Super Bowl won’t be decked out in helmets and shoulder pads. They may be wearing flea collars.

The NFL’s season finale is not just the Super Bowl. It’s the Commercial Bowl, too. Keep in mind: 14% of those viewing the Super Bowl will be watching just for the ads, according to a survey of 1,000 adults conducted last week by Eisner Communications.

Some say this ad competition is looking more and more like the Animal Bowl. Nearly one in five Super Bowl commercials over the past decade has featured an animal of some variety.

That’s why one real star from Sunday’s game might not be an Oakland Raider or a Tampa Bay Buccaneer. It might be an aging zebra recruited by Anheuser-Busch’s hyper-aggressive marketing team, whose Super Bowl game plan each year is to win the Monday morning water cooler chat-a-thon.

In real life, the 30-year-old zebra, Ty, is a feisty critter that likes to munch animal pellets. During Anheuser-Busch’s lead commercial on Super Bowl Sunday – in a visual gag that has been kept supersecret until now – the zebra (you could see this coming) wears his stripes in an official capacity. He’s called upon to make the call on a crucial instant replay during a gritty, gridiron battle played by A-B’s Clydesdale horses.

The zebra is a study in calm as he sticks his head into the curtained instant replay box and studies the monitor, just like real NFL officials – men in stripes sometimes referred to as, yes, zebras.

When it comes to the rest of the Super Bowl’s 61 ad slots this year – each of which will fetch a cool $2.2 million per 30 seconds – animals rule the kingdom. And they have for decades.

Animals are hard to forget – and easy to love. Don’t think Madison Avenue isn’t wise to that furry fact. Besides zebras and horses, everything from dogs to baboons to squirrels will be featured in splashy Super Bowl spots Sunday. Hollywood’s top trainers claw at the chance to make their dog, duck or dolphin the next Super Bowl celebrity critter.

Never mind that ads with live animals can take twice as long to film. That adds to production costs.

Then, again, animals rarely have agents. And many can be rented for just $300 a day.

“They’re a lot cheaper than Britney Spears – and probably more effective,” says Anne Gordon, who has trained animals for television and Hollywood for 20 years.

Over the years, Anheuser-Busch has used dogs, horses, falcons, mice, lizards, frogs and even a lobster in its Super Bowl spots. “We haven’t used wildebeests yet,” says Bob Lachky, global creative director, “but don’t rule it out.”

It’s all about eyeballs. The Super Bowl advertiser who attracts, keeps and delights the most viewers stands to win a lot more than a football game. It can be worth tens of millions of dollars in free publicity, bring in potentially millions of new customers and leave a fat chunk of the estimated 88 million, or so, Super Bowl viewers feeling good about the brand.

That’s why animals hold the key to the cage. “Americans want to feel loved unconditionally – even during a 30-second break to a football game,” says Carol Moog, a psychologist and marketing guru. “Nothing symbolizes unconditional love better than an animal.”

They also want to laugh. And it can be a lot easier to laugh at a furry critter than at ourselves.

Perhaps no one knows that better than Anheuser-Busch, the biggest Super Bowl advertiser this year, with 51/2 minutes of commercials during the broadcast.

Its timely zebra spot was shot in November – long before the controversial outcomes of two recent NFL games (one a playoff game) that were decided by officials’ calls. In one case, the NFL conceded that the officials made a wrong decision.

Pepsi, eager to get viewers to try its new Sierra Mist lemon-lime brand, will pitch it with a pair of ads featuring furry humor. One features two daredevil baboons that try to keep cool on a hot day at the zoo by catapulting one into the nearby polar bear pool.

At one point, Pepsi included two humans – actors playing park rangers – in the spot. But they were cut from the final version. “They just weren’t as interesting as the monkeys,” says Dave Burwick, chief marketing officer at Pepsi.

The other Sierra Mist commercial features a cute mutt out for a walk on a hot day. It stops at a fire hydrant and lifts a leg. But instead of doing its business, the overheated dog kicks off the cap of the hydrant, and a blast of cool water sends the dog – and its master – across the sidewalk.

Never mind that the dog, Slammer, who previously appeared in the movie Something About Mary, is actually a she. A trainer coaxed her into lifting her leg, “even though it’s counter to her DNA,” says Bill Bruce, the art director on the set from BBDO, the agency that created the ad.

Trident, in its first Super Bowl spot, will send an angry squirrel up the leg of a dentist who represents the one in five who doesn’t recommend sugarless gum for patients who chew.

“It took a number of shots to get that right,” admits Stephen McCullough, senior marketing manager for Trident. Trident had three squirrels and three squirrel trainers on the set. All for that one shot.

But, of course, it was worth it.

“Animals are a safe way to poke fun at ourselves,” says Gordon, the trainer. “You can laugh at an animal without upsetting anybody.”

Unless you’re with People for the Ethical Treatment of Animals.

Fear of PETA is a key reason why most production companies keep an outside animal welfare specialist on the set – often from the local Humane Society – when filming ads with live animals.

But PETA officials insist they can be fans of animal ads, too. They mainly object to commercials featuring chimps or elephants, which PETA Vice President Lisa Lange claims typically suffer physical abuse or food deprivation to perform tricks on cue.

Animal trainers say that’s hogwash. They say they encourage animals verbally and with food treats.

“We treat our animals well,” says Steve Martin (not the actor), owner of one of Hollywood’s most successful animal training operations, Steve Martin’s Working Wildlife. “It’s all in the training.”

In the Clydesdale football game ad, it was just a bowl of tasty pellets that nudged the zebra to stick his head behind the curtain and appear to review the instant replay tape, Martin says.

But it took some extra coaxing to convince the zebra to get along with the Clydesdales, Lachky says.

How to make a baboon grin

As for those two baboons in the Sierra Mist ad, Martin located them and helped link them up with the Sierra Mist ad.

To make the baboons smile in the ad, he says, “You gently push their lips and reward them when they do it on their own.” Oh, and that’s not really Sierra Mist the baboon appears to drink out of the can at the end. It’s plain water.

Pepsi has racked up a series of top Super Bowl ads with animals.

There was the Pepsi-drinking chimp that broke out of a laboratory and partied on the beach in 1994. In 1997, grizzly bears appeared to dance in line to the Village People’s song YMCA. And in 1998, a guy appears to go sky surfing with a lone goose. An ad for Pepsi’s Sierra Mist will feature baboons trying to cool off.

“There’s no law that says we have to put animals in Super Bowl ads,” says Burwick, the Pepsi marketing chief. “Animals just happen to score well.”

Especially fake animals.

That flying goose was computer generated. So were Anheuser-Busch’s talking lizards and frogs. And last year, when Blockbuster set “Carl” the rabbit and “Ray” the guinea pig dancing, it was done on a computer. No live animals.

“They exist only in binary bits of code in a hard drive in California,” explains Scott Parks, vice president of advertising at Blockbuster.

The shoot was very predictable, he boasts. “We used empty cages.”

But life can get more interesting when real animals are removed from their cages – or natural environments – and plopped onto commercial production sets:

* Going ape. It may have appeared in that Pepsi ad 10 years ago that only three beautiful women in skimpy swimsuits were in the Jeep driven down the beach by a Pepsi-drinking ape.

But trainer Greg Lille was there, too, hidden on the floor of the car. From there, he directed the chimp. “I’m not sure who had more fun,” he says, “the chimp or me.”

* Look out for the cheetah. Three years ago, Mountain Dew featured a cheetah in its Super Bowl ad. An angry mountain biker appears to race down the cheetah that ran off with his can of Dew.

“Bad cheetah,” he shouts, as he appears to reach down the cat’s throat and take out the can.

Two look-alike cheetahs were used interchangeably in the ad. They were lured to sprint at nearly 70 miles per hour by a tennis ball rigged on a motorized cable, recalls trainer Hayden Rosenaur, owner of Serengeti Ranch.

A robotic head was used at the end of the ad, when the biker appears to reach down the cheetah’s throat to retrieve the can.

The commercial, which cost an estimated $2 million to make, required three days to shoot.

“I’m still dumbfounded every time I see that ad,” says Rosenaur, who also is a stuntman in the ad with his cheetahs. “It looks so real.”

It also earned the trainer a pretty penny. Since making its debut on the Super Bowl, the ad has aired worldwide and earned Rosenaur upward of $30,000.

* Squirrels R Us. Squirrels might not seem like Super Bowl fodder. But two years ago, EDS broadcast a Super Bowl spot that humorously substituted a pack of squirrels for cattle in the running of the bulls in Pamplona, Spain.

The squirrels were shot in a studio, not in Spain. Even then, it wasn’t easy. While only eight squirrels were used, squirrels can be very difficult to train and are extremely unpredictable.

“Squirrels are aggressive little critters,” recalls Dean Hanson, art director at ad agency Fallon-McElligott who was at the shoot. “I knew exactly which chair I was going to jump up on when they let the squirrels lose.”

Special effects were used to make it looks as if hundreds of squirrels were running down the street. Even then, a pair of crewmembers were attacked by the squirrels and needed stitches.

Final score: Squirrels 2, Humans 0.