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Bar Refaeli’s Super Bowl ad is rated most sexist and offensive commercial of the night by thousands of Twitter users

This year’s award for the most sexist Super Bowl commercial goes to Bar Refaeli’s ad for web host GoDaddy.com, which saw the supermodel kiss a computer programmer next to the tagline ‘smart meets sexy’.

Thousands of viewers used the Twitter hashtag #NotBuyingIt on Sunday night to flag and rate the most ‘disgusting,’ sexist and offensive commercial during the Ravens-49ers showdown.

The hashtag generated more than 10,000 real-time tweets, and 7,500 of those went to the GoDaddy.com ad, which has been accused of ‘objectifying women and stereotyping programmers.’

Other ads that are being called ‘Sexist’ are the Audi “Prom” ad, because a guy walks up to a girl and kisses her. And the Kia, Mercedes-Benz, and Fiat for the “Nice car gets the girl” approach to advertising.

Read more: http://www.dailymail.co.uk/femail/article-2274474/Bar-Refaelis-Super-Bowl-ad-rated-sexist-offensive-commercial-night-thousands-Twitter-users.html#ixzz2K8vkM499

Hulu Picks It’s Top 5 Moments of the Super Bowl

Hulu picked it’s top 5 moments of Super Bowl XLVII. The advertising, not including the power outage, National Anthem and Pepsi halftime show… or the game itself(?)

1. Budweiser Clydesdales in “Brotherhood”

2. Godaddy “Perfect Match”

3. Doritos “Goat 4 Sale”

4. MilkPEP – Dwayne ‘the Rock’ Johnson “got milk? – Morning Run”

5. Kia “Space Babies”

Super Bowl commercials show creativity trumps special effects

The Super Bowl commercials showed that a well-executed idea is better than a big budget. Super Bowl commercials with large casts and loud music were underwhelming when pitted against the originality of a spot like the Kia ‘Babylandia’ commercial.

If there was a takeaway on what separated the good from the bad and ugly, it was that more special effects, larger casts, and louder music add up to much less than a good idea well-executed, be it still photos of stoic American farmers, the intimate partnership of colt and trainer, or the sexy charm of the Fiat family. Kia’s “Babylandia” spot won the hearts of viewers not so much for the effects, but for the design of the effects – very old-school futuristic, like the toys we played with as kids – and the dad’s realization that the fairy-tale he was spinning wasn’t working.

Read More at : CSMonitor

Kia Forte 2013 Super Bowl XLVII "Hot Bots"

[VIDEO] Kia Forte 2013 Super Bowl XLVII Commercial “Hot Bots”

The all-new 2014 Kia Forte is designed for those who love technology. And nobody loves technology more than sexy high-tech robots. Watch as our two beautiful hotbots unveil the new Forte at a press event. Things take an unexpected turn after one reporter gets a little too close to their prized possession.

Respect the tech.

Join Kia Game Day ad conversation on Twitter with @Kia using #HotBots

Interested in the star of our upcoming Big Game car ad? To learn more about the Kia Forte, visit:

http://www.kia.com/forte/
http://www.facebook.com/kiaforte
http://twitter.com/kia
https://plus.google.com/+kia/posts

2013 Kia Sorento Super Bowl XLVII commercial "Space babies"

[VIDEO] 2013 Kia Super Bowl XLVII commercial “Space Babies”

When it comes to our kids, there’s an age-old question that has perplexed parents for generations. “Where do babies come from?” Now, for the first time ever, we’ll reveal this untold story through an epic journey, nine months in the making.

Watch as a nervous father navigates through this delicate situation, with a little help from his 2014 Kia Sorento SX Limited and UVO voice-activated infotainment system that plays “Wheels on the Bus”. With all of its many features, it has an answer for everything. So fasten your diapers — these babies are ready for launch.

Join our Game Day ad conversation on Twitter with @Kia using #SpaceBabies

To learn more about the Kia Sorento, visit:
http://www.kia.com/sorento/
http://www.facebook.com/kiasorento
http://twitter.com/kia
https://plus.google.com/+kia/posts

2013 Super Bowl XLVII commercial

[VIDEO] Kia Motors’ Super Bowl Commercial Will Answer The Age Old Question Of “Where Do Babies Come From?”

“Space Babies” Takes Viewers on A Journey Nine Months in the Making to Introduce the Family-Friendly 2014 Sorento CUV and Kia’s Next Generation UVO eServices Voice-Activated Infotainment System. Director Jake Scott helms 60-second mini-movie set on the distant planet “Babylandia;” Sneak preview available this weekend in movie theaters and at youtube.com/kia

For generations, inquisitive young minds have asked the burning question that all parents dread. A question that leaves many moms and dads stumbling to find the right words to carefully, and sometimes creatively, navigate the most delicate of situations. On February 3, with more than 100 million people watching, Kia Motors America (KMA) will tell the story that hasn’t been told as a flustered father shares an epic tale with his curious young son from behind the wheel of the new 2014 Sorento CUV. Scheduled to air in the fourth quarter of Super Bowl XLVII and directed by Jake Scott , “Space Babies” reveals the existence of a faraway planet known as “Babylandia” and follows infant boys, girls, dogs, pandas and more on their journey to Earth to join their new families. After taking it all in, the curious child begins to offer an alternative theory passed on by a friend but his quick-thinking father calls upon UVO’s voice-activated jukebox feature to hurriedly change the subject and survive another day in the adventures of parenthood.

Created by David&Goliath, KMA’s advertising agency of record, a special expanded version of “Space Babies” will be viewable at YouTube.com/Kia leading up to the big game. As one of the fastest growing car companies in the U.S. over the last five years, Kia returns as a Super Bowl advertiser for the fourth straight time. After becoming the first advertiser to debut a Super Bowl commercial in movie theaters before the big game last year, “Space Babies” will air on more than 33,000 screens nationwide beginning on February 1 as part of ScreenVision and National CineMedia’s FirstLook. “It has an answer for everything™” is a fully integrated marketing campaign incorporating TV, cinema, digital, print, social media and in-dealership components.

“Tight Space”
In the first spot of the Sorento’s “It has an answer for everything™” campaign, titled “Tight Space,” parental creativity is in high gear when two of the CUV’s available features – power-folding mirrors and power liftgate – help a determined father make the slimmest parking garage space manageable while his skeptical wife and children look on. Created by David&Goliath, “Tight Space” spot was directed by Peter Darley Miller and Colin Jeffery.

Kia Super Bowl Ad Airs First in Theaters … Again

In a Super Bowl advertising blockbuster sequel, Kia Motors America will be back on the big screen for the premiere of its 2013 big game commercial. The fast-growing automaker’s complete 60-second “Space Babies” ad for the redesigned 2014 Sorento CUV will premiere on Feb. 1 on more than 19,000 movie screens nationwide in NCM Media Networks’ FirstLook pre-show program before airing during the fourth quarter of the game.

To build anticipation for its Super Bowl spot’s cinema debut, Kia will kick things off with 15-second teaser ads in movie theaters on Jan. 25. See the teaser video here.

Kia’s cinema launch strategy builds on the tremendous success Kia enjoyed last year when it became the first spot advertiser to ever premiere its spot on the silver screen before the big game. The NCM Media Networks and Nielsen NRG conducted a custom research study of consumers who had seen the Kia Optima commercial last year both in theaters as well as in the Super Bowl, and the positive effect of the combination of TV and cinema on the audience was significant:

Cinema Boosted Ad Recall

While 46-percent of people who saw the Kia ad in the Super Bowl were able to recall it unaided, that number jumped to 70 percent Unaided Recall for people who saw it both in NCM’s FirstLook at the movies and in the Super Bowl.

Cinema plus TV resulted in a 52 percent Unaided Recall increase, vs. TV alone.

When it came to Total Recall (Aided + Unaided), the combination of cinema plus TV resulted in 95 percent Total Recall of the ad by people who saw it both in NCM’s FirstLook at the movies and in the Super Bowl.
Cinema Boosted Intent to Purchase, Likability, and Positive Opinion of the Brand

People who saw the ad both in NCM’s FirstLook and in the Super Bowl were 39 percent more likely to consider purchasing a Kia than people who only saw the ad in the Super Bowl alone. The combination of cinema plus TV also resulted in significant increases in ad likability and positive opinion of the Kia brand in general.
“Kia’s blockbuster success as the first Super Bowl advertiser to ever premiere in cinema was the perfect set-up for a sequel this year,” said Cliff Marks, president of sales and marketing with NCM Media Networks. “The NCM Cinema Network is the number one network in the country on weekends, so the audiences flocking to our theaters on the Friday and Saturday before the big game will get to be the first to experience this fun commercial. Our 40-foot big screens certainly help to build brand buzz, and when smart advertisers like Kia use them in combination with TV, it can have a major impact on campaign ROI.”

“Launching Kia’s Super Bowl commercial in NCM’s FirstLook for the second consecutive year builds on last year’s tremendous success where we saw a noteworthy lift in purchase consideration and equally important, it created early buzz before more than 100 million people saw it during the big game,” said Michael Sprague, executive vice president, marketing & communications, KMA.

A Sneak Peek at the 2013 Lineup of Super Bowl Ads

Here, in alphabetical order, are more than 90 percent of the players:

AB InBev, parent company of Budweiser, a perennial Super Bowl advertiser, will be back. In the past, they’ve been among the funniest and most memorable brands in the broadcast, but with this year’s marketing strategy combining hip-hop music and introduction of a new pseudo-craft beer, Black Crown, don’t count on history repeating itself. Not only will hip-hopper Jay-Z be on camera, but he’ll also have a hand in the creartive as well. They’ve also done multi-year deals for the air time, so they won’t be paying the full $3.7 million freight.

Audi of America will run one 60-second spot, their sixth Super Bowl appearance in as many years. Agency Venables, Bell and Partners is still working on the creative and production.

AXE will run one 30-second spot, entitled “Lifeguard,” that includes a “twist” at the end that “aligns with a creative campaign” that will kick off in the new year. The ads will be created by BBH London.

Best Buy hired a new agency, Crispin Porter & Bogusky, to do the television and related social marketing.

Cars.com will return with a :30. “There is no better platform,” marketing vp Linda Bartman told USA Today. That’s good, because at $3.7 million plus production costs, there’s no more expensive one. They, too, have a new agency, having replaced DDB with McGarryBowen in May. Their :30 will probably show how shopping on their website makes car buying a better experience. (Hey, anything that avoids showrooms and car salesmen is an improvement.)

Century 21 will run one :30 in the third quarter. Phildelphia agency Red Tettemer and Partners is still working on it.

Coke – After years of advertising with computer-generated polar bears in Super Bowl spots and after having printed them on all their soda cans, Coca-Cola has killed off the bears from their three new 30-second commercials. Nobody tell the global warmists.

Doritos for the seventh consecutive year, will once again be taking the cheap, easy way out, running the best amateur-produced commercial, as determined by USA Today’s Ad Meter consumer poll.

Fiat The re-invading Italian brand made a surprise splash in this year’s Super Bowl with its “Seduction” spot, previously seen in Italy, starring supermodel Catrinel Menghia. She returns in one of a handful of new Fiat commercials that CMO Olivier Francois showed at the Los Angeles Auto Show last week as potential spots that the brand will show during its Super Bowl commitment. The new seductive spot starring Menghia is on behalf of a new convertible Fiat 500 Abarth Cabrio. It depicts a scorpion making its way up the back of the bikini-clad model and then using its pincers to make a strategic snip. “Small, wicked … and now topless,” the ad says.

Ford whose sales of the Lincoln nameplate have been in a death spiral (down 63%) since 1990, will run a 60-second spot (almost $8 million worth of air time) to revive the brand by showing dead people. In the belief that history sells cars, the spot will feature an Abraham Lincoln lookalike stepping out of the mist, vintage Lincolns, and deceased Lincoln owners Clark Gable and Dean Martin leaning against front fender of the new MKZ through the magic of computer imagery. This is supposed to be an attempt to reach out to younger drivers, who probably never saw either Gable or Martin in their lifetimes.

GoDaddy is showing signs of growing up. For the first time ever, their advertising’s being done by a professional agency – Deutsch New York – and will graduate from prepubescent male fantasies of mostly undressed women to (gasp!) content and product. Indy car driver Danica Patrick, who’s been missing from their rebranding campaign, may or may not return. “We are working on the fourth quarter work now,” Val DiFebo, Deutsch New York’s CEO, told Business Insider, “and exploring that option, if there’s a way to do that.”

Hyundai has their internal agency, Inocean, is working on the advertising. The car manufacturer aired two :30s this year.

Kia will be back for the fourth year in a row. “The game has proven to be a powerful tool in our efforts to raise awareness and perception for the Kia brand,” according to marketing evp Michael Sprague.

Mercedes-Benz which advertised in 2011 but skipped this year, will be back with a fourth-quarter commercial of as yet unannounced length. Hey, when your name’s on the stadium, you kinda have to. Or, as spokeswoman Donna Boland put it more nicely, “It’s a big product year for us next year and the game will be played in the Mercedes-Benz Superdome, so all the planets are in alignment.” Rapper Usher is expected to be on-camera talent.

Pepsi is sponsoring the half-time show.

Samsung commercial will be created and produced by agency 72andSunny, where the longtime Apple creative director bolted after the disastrous “Genius” campaign.

Skechers will be running, but nobody knows what length, which quarter or what message yet.

SodaStream scheduled to air it’s ad during the fourth quarter of the game when people are most likely to notice the growing piles of bottles and cans strewn about the room and filling up their trash.

Volkswagen It must be a bad year for animals. Coke’s killed the polar bears, and VW’s abandoning the dog.

Read More at: Examiner.com

Super Bowl ad blitz begins

It’s a bit presumptuous to start thinking about your NFL team’s place in Super Bowl XLVII, but advertisers are already claiming their spots for the big game.

We’re less than halfway through the professional football season, and already Anheuser-Busch InBev, PepsiCo, Audi, Hyundai/Kia, Cars.com and GoDaddy.com have purchased Super Bowl air time on CBS. The game isn’t until Feb. 3, but CBS is already reporting that ad space is 90% sold out after Coca-Cola, Best Buy and a few others got into the game last week.

If it seems like those buyers are showing blitz a bit too early, just consider the logistics for a second. Prices for a 30-second Super Bowl ad jumped from $2.2 million in 2002 to $3.5 million for a spot in the 2012 broadcast on NBC, according to Kantar Media.

That’s just for the time. Advertising Age notes that sponsors tend to shell out $3.7 million to $3.8 million once they’ve hired a top ad firm like Wieden + Kennedy or negotiated a broader package that includes an in-game appearance. That’s a fairly substantial part of even a large company’s marketing budget, so it pays to take some time and get it right.

In some cases, it’s about reasserting a company’s connection to the game. A-B InBev, for example, has spent more than $240 million in the past decade trying to make Budweiser, Bud Light, Stella Artois and, last year, Bud Light Platinum the beer of choice at fans’ Super Bowl parties. PepsiCo, meanwhile, spent $174 million during the same span to make sure there are plenty of Doritos and sodas for the kids at those same events.

Mercedes-Benz was almost obligated to make the Super Bowl ad buy it finalized last week, considering its name is on the Mercedes-Benz Superdome that’s hosting the game in New Orleans next year.

For other brands, the Super Bowl offers a new beginning. Oreo cookies are returning to the Super Bowl in 2013 after being less of a big-game presence in recent years than the Manning brothers who anchored their racing league. While the sandwich cookie brand just made plans to finish its 100th anniversary with a Super Bowl bash, Oreo’s Super Bowl ads also will be somewhat of a coming-out party for parent company Mondelez International – the snack and candy company that formed when Kraft Foods (KRFT 0.00%) split like an Oreo.

Are the ads worth the big-ticket prices? You have to ask the more than 125 companies that have pumped more than $1.7 billion into Super Bowl advertising in the past 10 years. It’s not cheap, but it’s the only way to get a captive audience as large as the 111.3 million people who watched the New York Giants beat the New England Patriots in February or the 111 million viewers who tuned in to see the Green Bay Packers beat the Pittsburgh Steelers on Fox in 2011.

Read more at: MSN Money

Kia Taps Celebs for Super Bowl Spot Based on Their Social Graphs

Securing the services of a supermodel to wear minimal clothing is standard for a Super Bowl advertiser, but hiring her based on her social-media credentials is a sign of the times.

To help make its spot go viral, Kia Motors chose Adriana Lima, Motley Crue and MMA fighter Chuck Liddell to appear in its ad largely on the basis of their social graphs and the perceived power of their fan bases. In the ad, the Sandman pours too much sand in the eyes of a sleeping man and makes his dream world a manifestation of his deepest desires to drive around a raceway and be cheered on by legions by bikini-clad women.

“This year we were constantly trying to figure out how to build advocates for our spot before it launched on Sunday, and we recognized social media as growing by leaps and bounds,” said Michael Sprague, Kia Motors Corp.’s VP-marketing and communications. “What better way than to tap into a celebrity’s fan base?”

Watch the Kia Super Bowl XLVI Ad “A Dream Car – For Real Life”.

Read More at : AdAge

Kia Releases Super Bowl Ad Teaser with Adriana Lima

Dreams have been a topic of speculation and interest throughout history, and Kia Motors America (KMA) is tapping into the idea of dreams revealing true desires in a new 60-second commercial set to air during the fourth quarter of Super Bowl XLVI.

In the spot, titled “Drive the Dream,” the new 2012 Optima Limited races through a Gen X couple’s wildest thoughts as they sleep, including: Victoria’s Secret® Angel Adriana Lima waving the checkered flag at a speedway; an in-your-face Motley Crue concert; mixed martial arts legend Chuck Liddell battling in the ring; a heroine and hunk on horseback in a romance novel setting; champion bull rider Judd Leffew taming a bucking rhinoceros; and a fairy tale ending.

The “Drive the Dream” campaign’s soundtrack includes The Chordettes’ recording of “Mr. Sandman” and Motley Crue’s “Kickstart My Heart”

Created by David&Goliath, “Drive the Dream” opens with the familiar notes of The Chordettes’ “Mr. Sandman” as a real-life Mr. Sandman enters the bedroom of an unsuspecting young couple who are asleep. After being sprinkled with “Sweet Dreams” dust, the woman smiles and envisions herself on a horse with a romance novel-like hunk in a beautiful green meadow. Meanwhile, Mr. Sandman accidentally stumbles and spills his entire night’s dust supply on the man, launching an extreme dream sequence that begins with the roaring guitars of Mötley Crüe’s “Kickstart My Heart” and Adriana Lima waving a checkered flag as he blasts around a race track at night in a Snow White Pearl Optima Limited with thousands of bikini-clad fans cheering him on from the stands.

As he circles the track with Lima looking on adoringly, the dreaming driver receives nods of approval from the band as bursts of flames and fireworks surround their stage as well as Chuck Liddell, champion bull rider Judd Leffew, and a pair of lumberjacks sawing a massive submarine sandwich.

“Mötley Crüe had a blast doing the Kia commercial,” said bassist Nikki Sixx. “A hot model, a fast car, a pro fighter, pyrotechnics and rock n’ roll…What’s not to love?”

Much to the disbelief of Lima and drummer Tommy Lee, the high-octane dream turns into a fairy tale when the husband makes a conscious decision to drive the Optima Limited off the race track and into his wife’s fantasy to win her back from Prince Charming.

Kia Revs Up Super Bowl Ad with Supermodel Adriana Lima

The automaker has enlisted supermodel Adriana Lima, rockers Mötley Crüe and mixed martial arts fighter Chuck Liddell for its 60-second ad for the Kia Optima Limited. The idea is one man’s fantasy.

This fellow envisions driving an Optima around a track filled with manly fantasies such as a skimpily-clad Adriana Lima, Chuck Liddell fighting and Mötley Crüe onstage doing Kickstart My Heart.

The ad will launch in movie theaters Feb. 3, and Kia also will air 15-second teaser ads on TV beforehand. Kia also will leverage the Twitter and Facebook followings of the ad’s stars.

Read More at: USATODAY

Hyundai gleeful over plans for Super Bowl ad blitz

Hyundai is returning to the Super Bowl in a big way this year, John Krafcik, Hyundai’s president and CEO said today.

In total, Hyundai has purchased three minutes worth of commercials that will air
before and during Super Bowl XLVI on Feb. 5.

The Korean automaker’s plans include two or three pre-game commercials, two
commercials during the second half of the game and a 60-second spot before the
kickoff.

“It gives me goosebumps,” Krafcik said of the possibilities for the 60-second spot.
Hyundai has advertised for several years in a row during the Super Bowl, but its
commercials have tended to emphasize its products and promotional programs.
This year, Krafcik said, the company wants to have more fun.

“I think we’d like to be a little more memorable,” Krafcik said after a
presentation this morning at the company’s technical center near Ann Arbor.
However, he also said Super Bowl ads often tread a fine line between being
effective and being too cute.

Volkswagen, for example, received high praise last year for a Super Bowl ad that
featured a mini-Darth Vader. The ad was memorable because of the Darth Vader
character, but many people don’t remember that it was a Volkswagen advertisement, Krafcik said.

Hyundai, which first began making cars in the U.S. in 2005, has seen its U.S.
employment increase to 5,199 in the United States.

Hyundai’s U.S. operations contribute a total of 94,391 private sector jobs, with $5.9 billion in annual wages and salaries, according to the Center for Automotive
Research in Ann Arbor.

Read More At: Detroit Free Press

Super Bowl ads almost sold out: Only 5 slots remain

By Bruce Horovitz, USA TODAY

Advertisers still sitting on the fence about the 2012 Super Bowl may soon find themselves flat on the ground: Only five slots remain.

Never mind that the season hasn’t even started, with the National Football League’s first game scheduled for Thursday. Just five 30-second Super Bowl ad slots — at a record $3.5 million each — are left, says Seth Winter, head of sales for NBC Sports.

“We expect to sell out totally before the end of the year,” says Winter, who insists there will be no price discounts for the remaining ads. Also, he notes, just as NBC did in 2009, it is requiring all Super Bowl advertisers to also buy ad time on other NBC Sports broadcasts.

“It’s not in our best interest to allow someone to just buy the Super Bowl,” Winter says. “We are only selling in combination with our other assets.”

Some 2011 Super Bowl advertisers are starting to reveal 2012 plans:
•GoDaddy.com. The provocative marketer of domain names will be back for its eighth Super Bowl with at least one and possibly two slots, founder Bob Parsons says. Race car driver Danica Patrick stars in the ads for the sixth time. GoDaddy has 12 possible Super Bowl ad scripts and will select from those, he says. “The ads will be fun, edgy and slightly inappropriate.”

•Skechers. The sneaker maker has purchased a 30-second spot to air during the two-minute warning of the first half. The company is undecided if Kim Kardashian will appear again, says Leonard Armato, president of the Skechers fitness group. “We couldn’t use Kim in another ‘break-up’ spot this year because she just got married.”

•Teleflora. The flower delivery service will return to the Super Bowl, spokeswoman Missy Miller says. She declined to say anything else about the plans.

•Kia. The South Korean automaker will return to the Super Bowl for the third-consecutive year, says Michael Sprague, vice president of marketing at Kia Motors America.

•Pepsi. The cola maker announced last month that it will feature the winner of The X Factor in a 30-second Super Bowl spot.

•Century 21. The real estate giant announced in March that it will make its first Super Bowl appearance with a 30-second spot in the third quarter.

•Mercedes-Benz. The German carmaker, which ran a spot in 2011′s Super Bowl, won’t return in 2012. “The 2011 Super Bowl was a perfect platform from which we could launch five new models,” spokeswoman Sabrina Glavan says. “Not the same scenario for 2012.”

http://www.usatoday.com/money/advertising/story/2011-09-06/Super-Bowl-ads-alm…

2011 Kia Optima: “One Epic Ride” Super Bowl XLV Commercial

Travel through space and time as a policeman, villain, Poseidon, alien and ancient chief try to get their hands on the all‐new Optima. Prepare for “One Epic Ride”.

Mobile users can view the spot here.